Call of Cthulhu is Chaosium’s classic roleplaying game of Lovecraftian horror in which ordinary people are confronted by the terrifying and alien forces of the Cthulhu Mythos. Call of Cthulhu uses Chaosium’s Basic Roleplaying System, easy to learn and quick to play. This bestseller has won dozens of game-industry awards and is a member of the Academy of Adventure Game Design Hall of Fame. In 2001 Call of Cthulhu celebrated its 20th anniversary. In 2003 Call of Cthulhu was voted the #1 Gothic/Horror RPG of all time by the Gaming community. Call of Cthulhu is well-supported by an ever-growing line of high quality game supplements. This is the softcover 6th edition of this classic horror game, completely compatible with all of previous editions and supplements for Call of Cthulhu. This is a complete roleplaying game in one volume. All you need to play is this book, some dice, imagination, and your friends.

This blog is dedicated to my lovely wife jill, who not only puts up with my bizarre love of all thing lovecraft she enables it. I love you jill :)

Wednesday, September 14, 2016

Lovecraftian Movies

Bride of Re-Animator (1990)
Both Jeffrey Combs and Bruce Abbott return in this mediocre sequel to Re-Animator, which actually owes more to The Bride of Frankenstein. However, some scenes, including the final one in the tomb of the Averills, were directly inspired by the original story, “Herbert West—Reanimator”. 
The Crimson Cult (1968)
Boris Karloff, Christopher Lee, and Barbara Steele star in this film which is ostensibly based on Lovecraft’s “The Dreams in the Witch House”. This is one of Karloff’s last films (if not the last). 
The Curse (1987)
The presence of Wil Wheaton, Claude Akins, and John Schneider don’t bode well for this dull adaptation of Lovecraft’s “The Colour out of Space”. Inexplicably, the location of the story was moved to Tellico Plains, Tennesee, and the family name was changed to Hayes. 
Dagon (2001)
Based more on “The Shadow over Innsmouth” than on “Dagon”, Ezra Godden plays the protagonist and Francisco Rabal plays a difficult-to-understand version of Zadok Allen. The setting is terrific and the film is better looking than earlier Gordon productions, but the chase scene from “The Shadow over Innsmouth” is strung out for much of the film yet lacks the manic energy of other Gordon films.
Die, Monster, Die! (1965)
Also known as Monster of Terror, this film takes Lovecraft’s “The Colour out of Space” and emphasizes the science-fiction aspects rather than the horror. Boris Karloff stars as scientistNahum Witley, as opposed to farmer Nahum Gardner. This film is another example of a classic horror actor crippled by an awful script. (Purchase from on 
The Dunwich Horror (1970)
Many of the elements of Lovecraft’s “The Dunwich Horror” were kept intact, including several of the character names: Wilbur Whateley (Dean Stockwell), Dr. Henry Armitage (Ed Begley, Sr.), Lavinia Whateley (Joanne Moore Jordan), and Old Wizard Whateley (Sam Jaffe). However, the addition of a female lead (Sandra Dee) and psychedelic special effects end up making this film pretty average. 
From Beyond (1986)
Jeffrey Combs and Barbara Crampton of Re-Animator fame return in another Brian Yuzna and Stuart Gordon horror-fest. The events of Lovecraft’s short story “From Beyond” effectively take place before the opening credits roll, thus this fairly entertaining film could be considered a sequel to the story. 
The Haunted Palace (1963)
For marketing reasons, director Roger Corman named this film after an Edgar Allan Poe poem, but it is actually based on Lovecraft’s The Case of Charles Dexter Ward. Vincent Price stars as Charles Dexter Ward and Lon Chaney, Jr. stars as Simon Orne, but even these veteran actors can’t raise this film very far above average. Instead of Price acting in a dual role as both Ward and Joseph Curwen, the spirit of Curwen possesses him. 
Lurking Fear (1994)
One of the poorer Lovecraft adaptations yet, this film is only loosely based on Lovecraft’s “The Lurking Fear”. Other than the town of Lefferts Corners and the presence of the degenerate Martense family, this film bears little resemblance to the original story. Even the manic performance of Lovecraftian actor Jeffrey Combs (Re-Animator and From Beyond) andHellraiser’s Ashley Lauren[ce] can’t save this terrible film. 
Necronomicon (1993)
An anthology of three tales, with an unintentionally laughable wrapper story called “The Library” featuring Jeffrey Combs as Lovecraft himself. Combs obtains a copy of theNecronomicon and is apparently reading these three tales from it! The first segment, “The Drowned,” is based very loosely on “The Rats in the Walls” and has a few genuinely atmospheric moments—but no rats! The second segment, “The Cold,” is based a little more solidly on “Cool Air” and stars David Warner, but a female protagonist was added. The last segment, “Whispers,” was supposedly based on “The Whisperer in Darkness”, but apparently underwent so much revision that the resemblance was lost. Altogether, a very average film. 
Re-Animator (1985)
Despite taking enormous liberties with Lovecraft’s “Herbert West—Reanimator”, this is one of the most entertaining and financially successful of Lovecraft films. Produced by Brian Yuzna and directed by Stuart Gordon, this scary and funny film stars Jeffrey Combs as Herbert West, Bruce Abbott as Dan Cain, Barbara Crampton as Megan Halsey, and David Gale as Doctor Carl Hill. 
The Resurrected (1992)
Based on Lovecraft’s The Case of Charles Dexter Ward, this film is perhaps the most faithful Lovecraft film to date. Directed by Dan O’Bannon (who wrote the script for Alien) and starring Chris Sarandon (The Sentinel and The Princess Bride) as Charles Dexter Ward and Joseph Curwen. The scenes in the tunnels beneath Curwen’s house are especially impressive. 
The Unnamable (1988)
Little more than a monster-kills-teenagers-having-sex movie, this film does manage to incorporate a few Lovecraftian references and the Necronomicon, although its relationship to Lovecraft’s “The Unnamable” are minimal. 
The Unnamable II: The Statement of Randolph Carter (1993)
Taking place immediately after the events of The Unnamable, this sequel incorporates more elements of its namesake, “The Statement of Randolph Carter” than its forerunner. Still, these elements do not make up the foremost portion of the film, and the presences of John Rhys-Davies and David Warner don’t make this any better than an above-average film. 

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